This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License … It is one of the artist's most realistic portraits of Philip IV and was one of the first he produced after being made painter to the king in 1623. It emphasizes his military responsibilities by presenting him in armor, with the crimson general´s sash across his chest. Doña Antonia de Ipeñarrieta y Galdós and Her Son Don Luis, Prince Baltasar Carlos in the Riding School, https://en.wikipedia.org/w/index.php?title=Equestrian_Portrait_of_Philip_IV&oldid=963390528, Velazquez portraits in the Museo del Prado, Creative Commons Attribution-ShareAlike License, This page was last edited on 19 June 2020, at 15:22. Its style corresponds to the artist's beginnings in Seville and shows its subject in a sculptural style like a portrait bust, with abrupt colour contrasts. It is one of the artist's most realistic portraits of Philip IV and was one of the first he produced after being made painter to the king in 1623. Credit Line Restricted gift of Arma Wyler in memory of Silvain Wyler Reference Number 1972.1134 Extended information about this artwork 84.XO.1367.4.28 Open Content images tend to be large in file-size. The present bust portrait depicts King Philp IV (1605-1665) in the mid 1620s, when he was just over twenty years old. Spain's greatest painter was also one of the supreme artists of all time. However, half a year later he left to start learning by himself. Do not translate text that appears unreliable or low-quality. Workshop of Diego VelázquezSpanish, 1599-1660. Early Works . Velazquez . The Equestrian Portrait of Philip IV was a portrait of Philip IV of Spain on horseback, painted by Diego Velázquez in 1635-36 as part of a series of equestrian portraits for the Hall of Realms, originally a wing of the Buen Retiro Palace in Madrid (a series that also included that of Philip's son prince Balthasar Charles). The Portrait of Philip IV in Armour is a portrait of Philip IV of Spain by Velázquez now in the Museo del Prado in Madrid. Paris, 2002, pp. Information about image downloads and licensing is available here. If possible, verify the text with references provided in the foreign-language article. Restricted gift of Arma Wyler in memory of Silvain Wyler. The Equestrian Portrait of Philip IV was a portrait of Philip IV of Spain on horseback, painted by Diego Velázquez in 1635-36 as part of a series of equestrian portraits for the Hall of Realms, originally a wing of the Buen Retiro Palace in Madrid (a series that also included that of Philip's son prince Balthasar Charles). By painting him on horseback, any imperfections were easily minimized. Portrait of Philip IV Origin Spain Date 1627–1637 Medium Oil on canvas Dimensions 205.7 × 123.2 cm (81 × 48 1/2 in.) Which of following is a true statement about this portrait of Philip IV? _____ is an influence or authority over other people, territories, or nations. The Equestrian Portrait of Philip IV was a portrait of Philip IV of Spain on horseback, painted by Velázquez in 1635-36 as part of a series of equestrian portraits for the Salón de Reinos at the palacio del Buen Retiro in Madrid (a series that also included that of Philip's son prince Balthasar Charles). A master of technique, highly individual in style, Diego Velázquez may have had a greater influence on European art than any other painter. 1599, Sevilla, d. 1660, Madrid) Portrait of Philip IV. This page was last edited on 19 June 2020, at 15:23. In the end of 1897 Picasso successfully entered the San Fernando Royal Academy in Madrid - the best Spanish fine art establishment at the time. Its style corresponds to the artist's beginnings in Seville and shows its subject in a sculptural style like a portrait bust, with abrupt colour contrasts. 1652-53. The museum is temporarily closed. Learn more. PORTRAIT OF PHILIP IV (VELаZQUEZ) Portrait de Philippe IV (Velаzquez) 1897. To help improve this record, please email . Kunsthistorisches Museum, Vienna. Object information is a work in progress and may be updated as new research findings emerge. The Portrait of Philip IV in Armour is a portrait of Philip IV of Spain by Velázquez now in the Museo del Prado in Madrid. political power. 259–60 n. 1, attributes to the workshop of Velázquez a severely damaged Louvre portrait of Philip IV; identifies it as a third work based on Velázquez's original standing portrait of Philip (Prado, Madrid), which dates from 1624–25, and was overpainted by the artist in about 1628; notes that the versions in New York and Boston—"given to the workshop"—must therefore have been painted between … VELÁZQUEZ, Diego Rodriguez de Silva y. Doña Antonia de Ipeñarrieta y Galdós and Her Son Don Luis, Prince Baltasar Carlos in the Riding School, https://en.wikipedia.org/w/index.php?title=Portrait_of_Philip_IV_in_Armour&oldid=963390679, Velazquez portraits in the Museo del Prado, Culture articles needing translation from Spanish Wikipedia, Articles with Spanish-language sources (es), Creative Commons Attribution-ShareAlike License. Portrait of Philip IV Nicolaas Henneman (British, 1813 - 1893) 7.3 × 6.6 cm (2 7/8 × 2 5/8 in.) Private collection, Florence, in the 1940s [a letter from A.S. Ciechanowiecki, Heim Gallery, dated 19 September 1972 stated that it was acquired about 30 years earlier from a Florentine collection and that it was later in a private collection, London (copy in curatorial file); however, the Heim commission book for 1972/73 at the J. Paul Getty Research Center, Los Angeles, lists Bianca Riccio, Rome, as agent for the owner]; Heim Gallery, London, 1972; sold to Mrs. Silvain Wyler, Chicago, 1972; given to the Art Institute, 1972. (b. Oil on canvas, 47 x 37,5 cm.

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